The exhibit includes several large conceptual works using non-traditional
     media and found objects including old sofa-beds, used mace canisters,
     discarded sanitary napkins and parts of freeways. The artist explores
     our dehumanization due to high technology and unresponsive governmental
     structures in a post-industrial world. She/he (the artist prefers to
     remain without gender) strives to create dialogue between viewer and
     creator, to aid us in our quest to experience contemporary life with its
     inner-city tensions, homelessness, global warming and gender and
     class-based stress. The works are arranged to lead us to the essence of
     the argument: that the alienation of the person/machine boundary has
     sapped the strength of our voices and must be destroyed for society to
     exist in a more fundamental sense.
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     Guilty as charged. Perl is happily ugly, and happily derivative.
      -- Larry Wall in <1992Aug26.184221.29627@netlabs.com>
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